with the Queensland Symphony Orchestra
I really don’t see why more people don’t take opera glasses (or in my case standard mini binoculars) to performances such as this. Even though being housed in the beautiful Lyric theatre means pretty much every seat has a stand out view; I think those who were unable to witness the majesty close up, as I was myself, missed out somewhat.
This vibrant performance was characterised by the joy of the dancers. There were no misconceptions; these are highly trained dancers, who absolutely love what they are doing.
My understanding of the story of Don Quixote goes little beyond the knowledge that it is the origin of the term ‘quixotic’ which happens to be one of my all time favourite words. But I was surprised by how little the title character (Don) actually danced. Other reviewers have commended the ‘serious and dignified’ treatment of this title role; where as I left the theatre thinking ‘what treatment?’
This may of course be due to the story (which I haven’t read) or the transition to the stage, which can effect the telling of a story. But I did feel disappointed that this very interesting and charismatic looking character, spent so much time as a part of the backdrop.
Viengsay Valdés was the star of the show in her role as Kitri. The passion and vibrancy she brings to every step, was infectious. And she pulled off some pretty astounding moves, easiliy out-shining her partner Elier Bourzas; who was very talented but seemed to be a little out of step; opening night jitters perhaps?
The issue of ‘when to applaud’ always surfaces during a ballet. Any seasoned ballet enthusiast will tell you to take it easy on the clapping in the begining, because you have a lot more to go! The show ended with the usual (what seemed to be) ten or so curtain calls and lavish curtsey routines. The end of the show is not the only opportunity to vocalise your appreciation for the dancing, but when to clap always causes some confusion amongst audiences, so I thought I would do some research and write a short spiel on the topic.
It is generally favourable to clap during a ballet performance, and no time seems to be particularly wrong to clap, however, if one is unsure of when to clap, you can wait and the music will generally indicate to you, with a crecendo or a break. Usually there’s applause after a dancer has completed a particularly tricky routine, or a pas de deux (a duet) is completed. I personally suggest to wait until the series of turns or other difficult step is over, there will undoubtable be a brief pause for the applause then. Otherwise clapping sporadically during the routine, can somewhat disturb the vibe of the show. And get ready to clap for atleast ten minutes straight at the close of the show.
Star ratings are hard with this kind of thing, but in relation to other ballet’s I have seen I would give this 3.5/5.
Wendy
